Monday 26 March 2012

Trim the Barber on LOUD-STUFF: a new review of old songs

Read here: http://www.loud-stuff.com/trim-the-barber.html

LOUD-STUFF.COM


Trim the Barber | Words: Dave Nicholls

Formed from a sense of despair at the alienation and devolution of modern life, Trim The Barber are set to release their self-titled debut EP in April of this year, and it promises to be something pretty damned epic. Already known for explosively loud audio-visual live performances, the band have been playing all over the UK, forming their sound and crafting their tracks to perfection ready to unleash them on the world. As such, when guitarist Paddy dropped me a line, how could I refuse the chance to check them out?

All We Can Be doesn’t really give a lot away about the style of the band as it opens, sounding like a combination of early punk and dark gothic influences, all pinned together with a strange sense of melody. The mix which opens the track soon begins to fade into a deeper track, the sound seeming to grow as it progresses and making you question exactly what you’re hearing. What’s most striking here is that the band aren’t following a convention, they’re not basing their music on any one genre, instead allowing it to build into its own unique sound and packing a punch as it goes. Deep, powerful and strangely addictive, there’s an almost hypnotic quality about things here, somehow managing to draw you into the dark melee of elements and making you want to know what’s coming next.

Now The Joke Is On You marks a significant change on the EP, this time launching into a sludgy riff fuelled track, once again harking to the origins of punk yet firmly stamping their own sound on it. Catchy whilst somehow still unconventional, this track is one which seems to be crafted for the live scene, packing enough punch to get the crowd involved yet enough catchiness to get everyone singing along after a couple of listens. For me, the most striking moment on this track was the mid-section featuring the guitar solo, not for the solo but for the mix which formed, the music changed into an atmospheric mix, grabbing your attention once again and renewing that question in your mind about how they’re going to follow it! The answer to the question is presented in Free Falling, another track which airs on the stranger side of things yet still somehow manages to work to continue the EP forwards. Basing the track around the vocals, there’s once again a sense of darkness flowing through this one, adopting a sound which nods towards their influences, yet still presents us with moments of questionable progression. Elements like a wood block are thrown in, bongos, dual vocal lines and string synth sound, they’re all here and somehow make this track work, yet quite honestly, it shouldn’t. Despite the strange combination, this is actually a seriously high point on the EP, and a track which I would highly advise you to check out.

Always Delayed closes the EP and once again, raises a question in my mind – where did this come from. Launching head first into a distorted yet melodic mix of guitars and rumbling bass, there’s once again different elements thrown in all over the place to craft a track which harks back to the likes of The Cure. If you’ve ever wondered what post-punk sounds like then this is about as close as you’re going to get, it’s a sound which oozes with the smog of London yet somehow still manages to sound fresh and new, updated almost.

What you’ve got here is an EP which isn’t going to appeal to everyone, but to those that it does it’s going to mark a moment of sheer genius. The tracks aren’t the sort of thing you can whack into a genre, and this is what makes the EP so special. There’s influences everywhere, sounds which you think you recognise, moments which confuse you and catchy lines which you want to sing along to, all combined with music which is at times dark and foreboding whilst at others, light and sunny. I don’t know that I fully understand this EP, nor am I sure that it’s the sort of thing I’d listen to a lot, but I know that I’ll come back to it at some point, just to make sure I still appreciate how incredible music can sound when the musicians making it want to work on something unique.

To find out more about Trim The Barber, check out their Facebook page HERE.